Artists
Nate Wooley “Trumpet/Amplifier” LP
Smeraldina-Rima 11
Edition of 496, heavy-weight vinyl with screenprinted open sleeve. Liner notes by Ben Hall.
“Trumpet/Amplifier: three pieces of unrelenting pressure, from choking bursts of muteness to firestorms of sound. Trumpeter becoming trumpet. Brass ventriloquism.” —ttt
Panicsville “A Dragonfly For Each Corpse” LP+7″
Smeraldina-Rima 10
Edition of 400, heavy-weight vinyl with screenprinted open sleeve.
“A Dragonfly For Each Corpse is a record that stands no daylight. A feverish nightmare of an album, dragging us into a brown paper bag —ferocious cannibal jungle ambience seeping through— till we’re cast down some stairs into a cellar made out of spit. A twirling folkballad sung by a ghost made out of chewing gum turns into a symphony of typing fingers, ticking clocks and slamming car doors, like a noirish soundtrack to the kidnapping of the Lindbergh baby, accompanied by squeaking stuffed animals as eyewitnesses. A record that feels like a horror franchise turning into understated drama, where mourners and killers change places in unexpected and drastic fashion. With the collaboration of John Wiese, Josephine Foster, MV Carbon, Thymme Jones.” —w
Peeesseye + Talibam! 2xLP
Smeraldina-Rima 13
Only 600 copies available, artwork by Rachel Lowther.
“Talibam! (Kevin Shea on drums, Matt Mottel on keyboards) and Peeesseye (Jaime Fennelly on electronics, Chris Forsyth on guitars and Fritz Welch on drums) have been pals and Evolving Ear labelmates for a while now, so it was only a matter of time before they all got together and let it rip. And rip this certainly does, driven on by the double-barrelled percussion attack, underpinned by Fennelly’s drones and scribbled all over by Mottel and Forsyth, whose wild gonzo soloing is a happy and healthy reminder that one-chord jamming was part and parcel of American alt.rock before the word alt.rock even existed, back when Fugs roamed the Earth and Angus MacLise still turned up for rehearsals, back when these laddies were still twinkles in their daddies’ eyes. Of course, it’s not all one-chord rock —sometimes they dispense with chords altogether and dive headlong into the primeval murky soundpool, with scant regard for whatever sharp rocks and nasty beasties might be lurking under the surface. Loud, messy, dangerous and glorious.” —Dan Warburton
Alex Monk “The Safety Machine” 2xLP
Drenched in a frozen, hypnotic melancholy, The Safety Machine is a double-LP tour de force by London-based musician and producer Alex Monk. Incorporating seventies kraut-synth psychedelic, cosmic ambient drones and haunting melodies into an ambitious framework of multi-layered sonic bleakness with hints of early Eno, Klaus Schultze, Robert Wyatt and Moondog, Monk creates a haunting world that’s filled with loss, loneliness and ethereal beauty — staring into the abyss while the icecaps are hugging your skull…
The Safety Machine double-LP comes in a hand-numbered edition of 310, with a screenprinted open sleeve. Also includes MP3 download voucher.
Steven H “Ik, Steven H”
This 12″ is by a rapper called Steven H from Kaster, Belgium, who sings in Kaster dialect, a dialect incomprehensible by anyone not living in Kaster. Fascinating!
HYENA “Commyn Straet” CS
Smeraldina-Rima 8
first edition of 100 tapes, screenprinted in black & pink
Hyena “Outside, The Great Drought” LP
Smeraldina-Rima 18
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.
Hyena “Outside, The Great Drought” CD
Smeraldina-Rima 18
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.


